Stacey Lane’s plays have been performed at over nine hundred theatres in every state in the continental U.S. and on six continents. Her scripts are published with Dramatic Publishing, Playscripts Inc., Pioneer, Eldridge, Smith and Kraus, Heuer, Brooklyn Publishers, YouthPLAYS, Applause Theatre & Cinema Books, Meriwether, Routledge, Manhattan Theatre Source; Infinity Stage, Sound, and Film; JAC Publishing, Play Bureau LTD, Seraphemera Books, San Luis Obispo Little Theatre, Freshwater, Poydras Review, The Quotable, Euphony Journal, Germ Magazine, Mock Turtle Zine, Indian Ink, The Other Otter, Furious Gazelle, Monologue Database, Actor Point, Canyon Voices, Whoopee Magazine, and Scene4.
She is the recipient of the Helene Wurlitzer Foundation Residency Grant and the Montgomery County Arts & Cultural District’s Literary Artist Fellowship. Lane is the winner of the Unpublished Play Reading Project Award at the American Alliance for Theatre and Education, a two-time first place winner of the East Valley Children's Theatre’s Aspiring Playwrights Contest, and a nominee for “Outstanding Playwriting” at the Midtown International Theatre Festival.
She graduated magna cum laude with a full scholarship from Rollins College.
NOTE FROM PLAYWRIGHT
I am drawn to exploring what makes human beings tick. Many playwrights, textbooks, and even the incomparable Aristotle approach playwriting by beginning with plot. However, I place my initial emphasis on the development of characters. Once characters have been fully fleshed out, dialogue and actions in which those characters would naturally be engaged can more readily be developed. An audience can watch fascinating characters doing nothing and be intrigued, but the most interesting plot will collapse if it does not have three-dimensional characters to sustain and breathe life into it. I strive to create roles that actors will be dying to sink their teeth into.
LIST OF PLAYS
Visit www.StaceyLaneInk.com for a complete list.
NOTE FROM MonologueBank
Material purchased on this website may be utilized for personal, non-commercial use for auditions or educational purposes. For all other inquiries concerning production, publication, reprinting or other types of use, contact the Writer directly at Stacey@StaceyLaneInk.com.
|Source Title||Author||Description||Free sample|
|BITCHES ON GOOD BEHAVIOR - Beth||Stacey Lane||
A woman has the final say when a man calls her a bitch after she turns down his offer to buy her a drink.
|DIRTY LAUNDRY - Jillian||Stacey Lane||
Accusations and confessions fly when a woman finds an incriminating note in her roommate’s jeans pocket.
|Pulse - Kelly||Stacey Lane||
A passionate actor’s woeful monologue is interrupted by a cell phone ringing in the theatre; the actor retaliates with exquisite vengeance.
|UTERUS-LESS - Alison||Stacey Lane||
A childless, but content woman’s marriage takes an unexpected turn when an in-law volunteers to be her surrogate and egg donor.
|UTERUS-LESS (Extended Version)||Stacey Lane||
Alison is not bothered by the fact that she cannot have children, but an offer from a surrogate mother pushes her once happy marriage into new territory.