Josiah Thomas Turner

BIOGRAPHY

Josiah Thomas Turner is currently a Senior studying Drama at the University of Wisconsin Stevens Point. He has written several full-length plays, including UNCLE TOM'S NEPHEWS, which received a professional workshop at The Kennedy Center in 2018. Several of his short plays, MAKE GOOD, A FAITHFUL CARROL, LIPSTICK and PIER ONE IMPORTS  have been performed at festivals around the US. He plans on attending Graduate School within the next year to continue studying playwriting.

 

NOTE FROM PLAYWRIGHT

My work, up until this point, has been created with the singular goal of truthfully interpreting the world through the lens of my own eyes. Through the eyes of a young, gay, black man brought up in middle-class Wisconsin during the age of technology. I consider myself quite lucky to have all of these traits and experiences, as it has not only made my life interesting, but has also blessed me with a unique voice. 

This voice has been moulded by the teachers who have trained me, the mentors who have helped develop my work and by the respected playwrights who have come before me, those who have inspired me to take up this craft.

My dream is not to be the next Edward Albee or Annie Baker, but instead to affect the hearts, minds and sentiments of the audience as effectively as they have; to entertain, to educate and to change lives.My work has always been made with an aim of being inclusive, honest and original.

I take my work very seriously, and I find myself in a constant state of creation. I love every moment.

I have three main goals with my work. The first is to bring challenging and rewarding roles to a more diverse selection of actors and to pursue a more inclusive theatre that better represents the face of America. I want to create roles for the Queer community and POC, roles which do not hinge on the “One Story” rhetoric Hollywood and even theatre today peddles to these people groups. Blacks have been told too long that they are only good to tell stories of servitude or violence, Latinx actors have been shoved into the narrative of sexy, exotic casting choice, while every other minority, those included, have been paraded in our writing as props and set dressing for the use of the white, usually male protagonist. My plays aren’t necessarily written around a character’s race or sexual orientation, yet I do require in certain roles that a certain ethnicity be cast. To break the mould and tell the truth; we have more stories to tell.

The second is to spark a conversation. My plays always present the audience with a story, ideas, thoughts, feelings, opinions and challenges. This isn’t to teach, but instead to spark discussion amongst ourselves by exposing our own biases and opinions. The only way to create change is to create a dialogue.

Thirdly, and more personally, I aim to develop a style unique and honest to myself. I admire those artists who followed their own convention and sparked a new kind of theatre, a new style. Suzan Lori Parks, David Mamet, Annie Baker; these are the contemporaries who inspire me to respect convention but craft my own voice. I find that I appreciate and am drawn to a more natural language and less contrived plot structure than is seen in some modern playwriting. It may shift in the future, but I believe in the freedom to follow my impulses and experiment as I come into my own.

 

CONTACT

JThomasTurner@Zoho.com

 

WEBSITE

https://newplayexchange.org/users/20167/josiah-turner

 

LIST OF PLAYS

Full-Length Plays:


UNCLE TOM'S NEPHEWS
 

 

One-Act Plays:

WHITE, A PARABLE
 - MonologueBank

QUEER - MonologueBank

THE WITTIEST PARTITION

 

Short Plays:

MAKE GOOD

PIER ONE IMPORTS

LIPSTICK

A FAITHFUL CAROL

TAKE MY HAND (PRECIOUS LORD)

 

NOTE FROM MonologueBank

Material purchased on this website may be utilized for personal, non-commercial use for auditions or educational purposes.  For all other inquiries concerning production, publication, reprinting or other types of use, contact the Writer directly at JThomasTurner@Zoho.com.

Items: 19 of 9, per page
  Source Title Author Description Free sample
Josiah Thomas Turner

A camp counselor learns not to sweat the little things, or the big ones.

Josiah Thomas Turner

A young gay man tries to comfort his friend who has recently been diagnosed with HIV.

Josiah Thomas Turner

A young gay man weighs the consequences of his recent HIV diagnosis.

Josiah Thomas Turner

A young gay man, outed by an HIV diagnosis, contemplates beauty and suicide.

Josiah Thomas Turner

A young black man relives a violent night in 1961 Birmingham, Alabama.

Josiah Thomas Turner

A young black woman retells the events of the evening leading to her sexual assault.

Josiah Thomas Turner

A young cook trapped in a bleak situation lightens his spirit with an anecdote.

Josiah Thomas Turner

A young man trapped in a surreal location broods about the implications of his situation.

Josiah Thomas Turner

What will we do when we think no one is watching?