Elizabeth Gordon is an award-winning writer and Pushcart Prize nominee who is now making forays into playwriting. Her short play SPLAT made its world premiere at the 2016 Boston Theatre Marathon. Another short play, WAKE, was performed as a staged reading with the Port City Playwrights' Project in 2017.
Gordon’s poems, stories, and reviews have been published in numerous literary magazines, including Slant, Cutbank, New Millennium Writings, Green Mountains Review, Cutthroat, and The Prose Poem: An International Journal. She has been anthologized in Home To Stay: Asian American Women's Fiction (Greenfield Review Press) and Tilting The Continent (New Rivers Press), as well as in several college textbooks. Recipient of the Tennessee Arts Commission Literary Fellowship for Poetry, she holds an MFA in Creative Writing from Brown University and divides her time between Wilmington, North Carolina and Fitchburg, Massachusetts.
NOTE FROM PLAYWRIGHT
My writing is informed by a few salient personal facts. As a biracial Asian-American, born in Saigon during the so-called Vietnam War, I am both fascinated and repulsed by war and race and have explored those themes in my work for many years. As a result of being raised in the Bible Belt, the rhythms of Southern Appalachia (its language as well as culture) also inflect my writing. I have deep interests in social justice, protecting and preserving the environment, and the rights of all beings, including other species, not to be exploited or harmed.
NOTE FROM MonologueBank
Material purchased on this website may be utilized for personal, non-commercial use for auditions or educational purposes. For all other inquiries concerning production, publication, reprinting or other types of use, contact the Writer directly at email@example.com
|Source Title||Author||Description||Free sample|
|Audubon's Rifle - John James Audubon||Elizabeth Gordon||
For John James Audubon, his greatest joy and ambition is painting beautiful pictures of birds, but to do so he must, literally, destroy the very creatures he loves.
|Dreams As Real As Blood - Woman||Elizabeth Gordon||
The best and worst of America, as remembered by an ageless Southern woman.
|Let Me Be Extreme||Elizabeth Gordon||
A riff on why we should be "extreme"—not in hate but in powerful, courageous, beautiful love.
|Seemingly Racist Gestures - Person||Elizabeth Gordon||
Based on true events, an Asian-American baseball fan takes on Sports Illustrated for its failure to call out racism when it occurs.
|MIRACLE PERSON - Phuong (Extended Version)||Elizabeth Gordon||
Phuong, an older Vietnamese immigrant, tells the unlikely story of how she came to be at the Taiwan airport, on the verge of seeing her family for the first time in 25 years.